There are several related questions here (1) (2) (3) (4), but I was unable to find any details there. E.g., those harsh peaks on the vocal tracks should trigger Compressor to act.
I'm looking for a more straightforward way to apply ducking effect to Master Bus'es Track Compressor based on an arbitrary track's input.
apply some dynamic changes to Track Equalizer). I have attempted to work around this by manually setting Volume Envelope over my vocal track, like this:īut I find it too difficult to manage, plus it invalidates itself whenever I modify anything (e.g.
SONY VEGAS 16 AUDIO DUCKING PRO
Speed up color grading and effects workflows with improved Mask Tracking in Premiere Pro including HD, 4K, and higher resolution formats. I want the vocal track to act as a trigger for one of the Compressors. Incorporate ambient sounds in your audio mix and automatically adjust background volume around spoken dialog or voiceovers. I also have two Track Compressors applied to Master Bus: one is quite soft (-16x at -5dB), and the next one is hard limiter (-24x at -2dB). It has similar functions so there is little to no learning curve from v.11 However, for those that have never used Sony Vegas, my general comment over many years of amateur use is that it is very stable.
SONY VEGAS 16 AUDIO DUCKING SOFTWARE
In addition to basic editing, this software for video editing can be used for color grading, stabilizing video, 360 video editing, screen recording, multi-cam editing, audio ducking, and more.